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Afghan Film:
Spring 2004
  By Yama Rahimi
July 2004

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I had many motives to return to Afghanistan after 23 years, but one topped the list: visiting the Afghan Film Organization (AFO) and meeting fellow Afghan filmmakers.

I arrived in Kabul April 2004, and spent the first week visiting family. All the while, I yearned to see AFO.

When I reached AFO office, the staff greeted me warmly, even though I didn't have an appointment. I asked for Siddiq Barmak, the director and screenwriter of Osama. I first met Barmak in Berkeley, California, in January, and informed him of my impending trip to Kabul. He happily told me to stop by for a visit.

I was told Barmak was in Turkmenistan, returning the following week, and then leaving for New York City. I left disheartened.

I returned on the day of his arrival. As I entered Barmak's office, he was rummaging through a huge pile of the new issues of Cinema magazine, a monthly digest on Afghan and international cinema, of which he is chief editor. With a wide smile, he invited me to sit. We talked for a short while. I knew he was busy but too polite to say so. I told him I would return tomorrow.

The next day he arrived an hour late. He was asked to attend a filmmakers' function at Lycee Estiqlal, the boys' French curriculum high school. The French director of an important festival addressed the function, proposing to host a retrospective of Afghan cinema in France. Ever since he made Osama, Barmak has become the international representative for Afghan cinema -- a task he fulfills without offending anyone.

He apologized several times for his tardiness and insisted on sharing his lunch with me. In our short meeting, we chatted about our film projects. He introduced me to engineer Latif Ahmadi, the new head of AFO. I found Ahmadi to be kind and forthcoming.

Over the next two days, I had the rare opportunity to see at least 15 films from the AFO archive. These films dated from the late 1960s to new releases. I also met other great filmmakers. They welcomed me, and gave me a great sense of community; it felt like home. At the end of my journey, my mission was accomplished. But I wished I could have stayed longer. Maybe next time.


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About the author
Yama Rahimi
Other work by the author
» Afghan Film
(Jul 2004)

» Barmak in Berkeley
(Apr 2004)

» Photography: B&W: Vol III
(Apr - Jun 2000)

» Photography: Color: Vol V
(Oct - Dec 1999)

» Photography: Color: Vol IV
(Apr - Sept 1999)

» Photography: Color: Vol III
(Jan - Mar 1999)

» Photography: Color: Vol II
(Jul - Sept 1998)

» Photography: B&W: Vol II
(Apr - Jun 1998)

» Photography: Color: Vol I
(Jan - Mar 1998)

» Photography: B&W: Vol I
(Oct - Dec 1997)
Related links
» Marina:A Review
By Farhad Azad
(Jun 2004)

» Filmmaker Siddiq Barmak talks from the heart
By Fariba Nawa
(Apr 2004)

» Osama empowers Afghans
By Nadia Ali Maiwandi
(Apr 2004)

Outside links:
» Afghan aftermath
British Film Institute Magazine
(Feb 2004)

» Afghan Cinema
By Z. Razban
( Afghanistan Today, Jan - Feb 1988, reprinted Afghan Communicator Magazine)

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May not be duplicated or distributed in any form without permission.